52) Cf. Mahoney, 1994: "The classic 1960s energy is still apparent in works from that first flush of breakthrough in technique. Complementary Fission. 1964, Bound Vapor. 1964. Magnetic Force, 1964. Luminous. 1965."
53) W. C. Seitz. The New Responsive Eye, 1965, p. 3.
54) Josef Albers, Archives of American Art interview, March 19, 1965, p. 167.
55) Robert M. Cotes, "Op", The New Yorker, March 27, 1965, p. 67.
56) Anuszkiewicz had two works in the show: All Things Do Live in the Three, 1963, oil on composition board, collection Robert Beniamin; Degree of Vividness, 1964, acrylic on composition board, lent by Sidney Janis Gallery.
57) W.C. Seitz, "The New Perceptual Art", Vogue, 2/15/1965.
58) Grace Giueck, "Blues and Greens on Reds", The New York Times, 2/21/1965. p. C19.
59) William Seitz, The Responsive Eye, 1965, p. 18.
60) Larry Poons, Archives of American Art interview, March 19. 1965.
61) Anuszkiewicz in conversation with the author, 2007.
62) Interview of RA conducted by Paul Cummings for the Archives of American Art in the artist's studio, Englewood, NJ, January 7, 1972, p. 47.
63) Joseph Slate, So Hard To Look At: An Interview with Richard Anuszkiewicz, Contempora, May/June 1970, p. 5.
64) Joseph Slate, So Hard To Look At: An Interview with Richard Anuszkiewicz, Contempora, May/June 1970, p. 5.
65) Lunde, 1976. p. 41.
66) Arnason, 1968. p. 2.
67) Anuszkiewicz in conversation with the author, 2007.
68) Interview of RA conducted by Paul Cummings for the Archives of American Art in the artist‘s studio, Englewood. NJ. January 7, 1972, p. 47.
69) Sol LeWitt quoted on line at NGA Classroom, for teachers and students, http://www.nga.gov/education/classroom/new_angles/bio_lewitt.shtm
70) Interview of RA conducted by Paul Cummings tor the Archives of American Art in the artist's studio, Englewood, NJ, January 7, 1972, p. 41.
71) Interview of RA conducted by Paul Cummings for the Archives of American Art in the artist's studio, Englewood, NJ, January 7, 1972, p. 41.
72) B. Schwabsky. "Lines of Luminosity". Art in America, January 2001, p. 106.
73) Margaret Miller, "Anuszkiewicz: The Last Decade, Paintings by Richard Anuszkiewicz, essay to show, Brevard Museum, FL December, 1985.
74) Gruen, ARTnews, Sept, 1979, p. 68.
75) Margaret Miller, "Anuszkiewicz: The Last Decade, Paintings by Richard Anuszkiewicz, essay to show, Brevard Museum, FL December, 1985.
76) Margaret Miller, 1985, n.p.
77) B. Schwabsky, "Lines of Luminosity", Art in America. January 2001. p. 106.
78) S. Wurmiieid, In "Color Function Painting etc". 1996. p 16ff.
79) Miller, 1985, n.p.
80) John Gruen, Artnews, September 1979. reviewing the centered square series.
81) Miller, 1985, n.p.
82) Miller, 1985, n.p.
83) Slate, May/June 1970, pp, 7-8.
84) John Russell. The New York Times. April 8th, 1988, p. C28.
85) B. Schwabsky, "Lines of Luminosity", Art in America, January 2001, p. 107.
86) B. Schwabsky, "Lines of Luminosity", Art in America, January 2001, p. 106.
87) B. Schwabsky, "Lines of Luminosity", Art in America, January 2001, p. 143.
88) Richard Anuszkiewicz statement for exhibition brochure NationsBank Plaza, Tampa, Floria, 1992.
89) Slate, May/June 1970. pp. 7-8.