18) Ed. 2004, p. 352.

19) interview of RA conducted by Paul Cummings for the Archives of American Art in the artist's studio, Englewood, NJ, January 7, 1972, transcript p. 29.

20) Joseph Slate. So Hard To Look At: An Interview with Richard Anuszkiewicz, Contempora, May/June 1970, p. 15.

21) Ibid.

22) Interview of RA conducted by Paul Cummings for the Archives of American Art in the artist's studio, Englewood, NJ, December 28, 1971, p. 18.

23) Joseph Slate. So Hard To Look At: An Interview with Richard Anuszkiewicz, Contempora, May/June 1970, p. 9.

24) Anuszkiewicz quoted in Slate, p. 7.

25) Interview of RA conducted by Paul Cummings for the Archives of American Art in the artist's studio, Englewood, NJ, December 28, 1971, p. 21.

26) Interview of RA conducted by Paul Cummings for the Archives of American Art in the artist's studio, Englewood, NJ, December 28, 1971, p. 19.

27) Anuszkiewicz quoted in Slate. p. 10.

28) Slate, p. 10, Jacobs, p. 32.

29) Interview of RA conducted by Paul Cummings for the Archives of American Art in the artist's studio, Engiewood, NJ, December 28, 1971, p. 22.

30) Interview of RA conducted by Paul Cummings for the Archives of American Art in the artist's studio. Englewood, NJ, December 28, 1971, p. 22.

31) Interview of RA conducted by Paul Cummings for the Archives of American Art in the artist's studio, Englewood, NJ, December 28, 1971, p. 22.

32) "Simple Form. Simple Color." Time. July 19. 1963. p. 59. [author unknown].

33) Robert Mahoney, essay in Richard Anuszkiewicz, Painting and Sculpture, 1951-1994, Lafayette College, 1994, p. 9.

34) S. Preston, NYT, March 5th, 1960.

35) Jacobs, p. 33.

36) Interview of RA conducted by Paul Cummings for the Archives of American Art in the artist's studio, Englewood, NJ, January 7, 1972, p. 47.

37) Interview of RA conducted by Paul Cummings for the Archives of American Art in the artist's studio, Englewood, NJ, January 7, 1972. p. 46.

38) For the New York Herald Tribune, April 1961, "If the concentrated application of Richard Anuszkiewicz at the Contemporaries were to constitute a trend, art would be beginning to have a fresh direction."

39) Stuart Preston. "Art: American Geometric Abstraction. Survey of a Style at Whitney Museum." The New York Times, March 21. 1962. p. 36. Preston wrote again of the show on March 25th, inspired to quote Plato's "Philebus". "When I say beauty of form... I mean the straight line and the circle and the plane and the solid figures formed from these by turning-lathes and rulers and patterns of angles."

40) W.C. Seitz. The Responsive Eye. 1965. p. 3.

41) Ibid.

42) Letter quoted in J.T. Spike, Fairfield Porter: An American Classic. 1992, p. 176.

43) Quote from interview, Diane Waidman, Roy Lichtenstein, London: Thames and Hudson, 1971, p. 26.

44) Ibid.

45) Dorothy Miller, Introduction to Americans 1963 catalogue.

46) "Simple Form, Simple Color," Time, July 19, 1963, p. 59.

47) Time, "Op Art: Pictures that Attack the Eye." Brian O'Doherty, October 23, 1964.

48) Time, July 1963, p. 59 [author unknown].

49) Greenberg, Introduction to the catalogue. Post Painterly Abstraction, Los Angeies, 1964.

50) Michael Kimmelman, Portraits: Talking with Artists at the Met, The Modern. The Louvre and Elsewhere. Random House. 1998.

51) Mondrian had pioneered masking tape in his New York studio in the 1940s, pointing out, "The human element is there no matter what you do." (quoted by Larry Poons in his AAA interview).